Ph.D. Music Technology
Supervisor: Prof. Marcelo M. Wanderley

• Email: joseph [dot] malloch [at] mail [dot] mcgill [dot] ca
• Web: http://www.josephmalloch.com
• Fax: +1 (514) 398-2962
• Phone: +1 (514) 398-4535 ext. 094846

• Human-Computer Interaction
• Design, construction, performance and evaluation of digital musical instruments
• Haptics
• Interactive systems

• B.A. (Music) - Dalhousie University (Canada) 2000
• M.A. (Music Technology) - McGill University (Canada) 2007
• Ph.D. (currently) Music Technology, McGill University (Montreal)

• Mapping tools for digital musical instruments
  • libmapper
  • The Digital Orchestra Toolbox
• Interface Design
  • The T-Stick
  • The Interactive Table
  • The Hyper-Kalimba
  • The Celloboard
  • The MiniBee
  • Dimension spaces for interface comparison
• Gesture control of spatialization
• McGill Digital Orchestra
• Integra
• SensorWiki.org

• Joseph Malloch, Stephen Sinclair, Avrum Hollinger and Marcelo M. Wanderley. "Input Devices and Music Interaction" In Jorge Solis and Kia Ng, eds. Musical Robots and Interactive Music Systems, Springer Verlag, 2011.

• Joseph Malloch (2007). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. MA thesis, Music Technology, McGill University, Montréal.

• Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley (2009). Gesture Control of Sound Spatialization for Live Musical Performance. In M. S. Dias, S. Gibet, Marcelo M. Wanderley, and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation, LNCS 5085. Berlin Heidelberg: Springer Verlag, pp. 227–238.
• Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley (2008). A network-based framework for collaborative development and performance of digital musical instruments. In R. Kronland-Martinet, S. Ystad, and K. Jensen (Eds.): CMMR 2007, - Proc. of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969. Berlin Heidelberg: Springer-Verlag, pp. 401–425, 2008.

• Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, and Sean Ferguson. ”The CIRMMT/McGill Digital Orchestra Project.” In Proceedings of the International Computer Music Conference (ICMC09), pp. 295-298, Montreal, Qc., Canada.
• Fernando Rocha and Joseph Malloch (2009). The Hyper-Kalimba: Developing and Augmented Instrument from a Performer's Perspective. In Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, pp. 25–29.
• Otso Lähdeoja, Marcelo M. Wanderley, and Joseph Malloch (2009). Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects. In Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, pp. 327–330.
• Marije A. J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley. ”Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork.” In Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME09).
• Georgios Marentakis, Joseph Malloch, Nils Peters, Mark T. Marshall, Marcelo M. Wanderley, and Steven McAdams (2008). Influence of performance gestures on the identification of spatial sound trajectories in a concert hall, in Proc. of the The 14th International Conference on Auditory Display (ICAD 08), Paris, France.
• Alexander R. Jensenius, Nicolas Castagné, Antonio Camurri, Esteban Maestre, Joseph Malloch, and Douglas McGilvray (2007). A summary of formats for streaming and storing music-related movement and gesture data. In proceedings of the 4th International Conference on Enactive Interfaces, Grenoble, France, pp. 125-128.
• Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley (2007). Non-conscious control of sound spatialization. In proceedings of the 4th International Conference on Enactive Interfaces, Grenoble, France, pp. 377-380.
• Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley (2007). From controller to sound: Tools for collaborative development of digital musical instruments. In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, 2007, pp. 65-72.
• Alexander R. Jensenius, Antonio Camurri, Nicolas Castagne, Esteban Maestre, Joseph Malloch, Douglas McGilvray, Diemo Schwarz and Matthew Wright. Panel: the Need of Formats for Streaming and Storing Music-Related Movement and Gesture Data. In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, 2007, pp. 13-16.
• Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley (2007). Gesture Control of Spatialization. Presented at the 7th International workshop on Gesture in Human-Computer Interaction and Simulation (GW2007), Lisbon, Portugal, 2007.
• Joseph Malloch, and Marcelo M. Wanderley (2007). The T-Stick: From Musical Interface to Musical Instrument. In Proceedings of the 2007 International Conference on New interfaces for Musical Expression (NIME07), New York, USA, 2007, pp. 66-69.
• Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, and Julien Boissinot (2006). SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. In Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 180-183, 2006.
• Denis Lebel and Joseph Malloch (2006). The G-Spring Controller. In Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 85-88, 2006.
• Joseph Malloch, David Birnbaum, Elliot Sinyor and Marcelo M. Wanderley (2006). Towards a new conceptual framework for digital musical instruments. In Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, pp. 49-52, 2006.
• David Birnbaum, Rebecca Fiebrink, Joseph Malloch, and Marcelo M. Wanderley (2005). Towards a Dimension Space for Musical Artifacts. In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05), Vancouver, Canada, pp. 192-195, 2005.