loading1
loading2

PROJECTS

 

Research and laboratory work

The IDMIL conducts research in a variety of areas relating to musical interface design and evaluation, movement analysis, haptics and human-computer interaction.

ALL PROJECTS

Illustration of rocks inside of a warehouse
Animate – Metamorphosis
Interfaces for real-time interaction and control of spatialized sound mixing – LAPSO
t-Tree
Sustainable Haptic Development
Mapper4Live
Slapbox
eTu{d,b}e
BBD
The analysis and simulation of Bucket Brigade Devices (BBDs)
Fostering Inclusion in Music
Integration of new interfaces of gestural control in classical music performance
Projeto: Cerrado – Unfolding Spaces
Interactive Sound Installations Database
The IDMIL Digital Audio Workbench
A survey of sensor use in digital musical instruments
Le Baton with Hand for Interaction and Plant for decoration
Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum
webmapper maplooper
MapLooper: a live-looping system for gesture-to-sound mappings
TorqueTuner NIME 2020
TorqueTuner: rotary haptic force feedback for DMIs
A Visualization Tool for the CIRMMT Distinguished Lecture Series
CIRMMT Distinguished Lecture Series Visualization
MappEMG
Le Vivier Mobile (T-Stick insertion)
Bionic Harpist live performance
Bionic Harpist
Latency and communication for DMIs
Max/MSP module for Ultrahaptics Hardware
Mappings made and removed by participant 8 in TW's MA thesis research plotted over time.
Making Mappings
Defining a Vibrotactile Toolkit for Digital Musical Instruments
Electronic Musical Instrument Survey
I-CubeX WiDig
GuitarAMI
MIDI Pipe Organ Interface
Noiseboxes
Probatio
Motion Analysis of Romantic Piano Performances
I-CubeX PiShield
Prynth
The Pearl
:BODY:SUIT:SCORE
Haptic Notifications for Polymetric/Polytemporal Synchronization
iOS Mappings: Source Text & Source Images
Perceptual Characterization of a Tactile Display for Live Electronics Performance
Ilinx
Sensor Use in NIME
Mapping and Sonification for Interactive Installations
Unsounding Objects
Medusa
Vibrotactile Feedback for Live Electronics Performance
Audio Environment for the Emotional Imaging Composer
Sonification of Emotion
Haptic Feedback for Sandde, a 3d-drawing and animation environment
Enhancing Low-cost Haptic Devices by means of Vibrating Actuators
OMSox
FaceQuencer
Prosthetic Instruments
ofMapperSynth
Sonification of Music Corpora
Artificial Neural Networks and Mapping
Machine Learning and Movement Analysis
ARM-based Audio Processing
Audio-Haptic Texture
libmapper
Musical Gestures Toolbox
Vibrotactile Learning Interface for Guitar Players
Intonaspacio
Tactosonix
Fungible Interfaces: A Modular Hardware Platform
Optoelectronic Acquisition & Control
OMPrisma: Spatial Sound Synthesis in Open Music
plhm
The SoundCatcher
MiniBee Wireless Mote
The Ballagummi
Graphical Interfaces for Mapping DMIs
Hyper-Kalimba
The Breakflute
AUMI – The Adaptive Use Musical Instrument
The Rulers
fMRI-Compatible Cello
fMRI-Compatible Music Piano Keyboard
Percussive Gesture Analysis and Synthesis
Software tools for mapping digital musical instruments
The T-Stick
Interactive Table
Digital Orchestra Toolbox for Max
Force feedback for audio systems
Gesture Description Interchange Format (GDIF)
FM Gloves
Vibrotactile Feedback and Digital Musical Instruments
Gesture Data Visualization
Air Jet Measurement
Development of Paper Sensors
Different Strokes
DIMPLE: Dynamically Interactive Musically PhysicaL Environment
Sonification of Gesture in Music
The Music & Posture Project
The T-Box
The Springwave and the Gyrotyre – Moving mechanical systems
Mapping Strategies in Multiparametric Synthesis/Control Spaces
Modelling Performer Movements Using Inverse Kinematics
SensorWiki
The Celloboard
The Gyrotyre
ThumbTec
An Inertial, Pliable Interface
Clarinet Gestural Analysis
Guitar Fingering Recognition
New Digital Musical Instruments: Control and Interaction Beyond the Keyboard
Conducting Gesture Recognition
Trends in Gestural Control of Music