Theses

Forthcoming

  • Rodolphe Koehly. “Development of New Raw Materials for the Production of Custom Contact Sensors: A Focus on Cellulose as Sensitive and Electronic Substrate”, Ph.D. thesis, forthcoming.

Completed

Ph.D.

  • Doug Van Nort. “Modular and Adaptive Control of Sonic Processes”, Ph.D. thesis, McGill University. Defended on January 8, 2010. Co-supervisors: Philippe Depalle and Marcelo M. Wanderley
  • Alexandre Bouënard. “Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis”, Ph.D. thesis, Université de Bretagne Sud. Defended on December 10, 2009. Co-supervisors: Sylvie Gibet (UBS, France) and Marcelo M. Wanderley

M.A.

Books

  • Miguel S. Dias, Sylvie Gibet, Marcelo M. Wanderley, and Rafael Bastos, editors. - Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag, 2009.
  • Marcelo M. Wanderley (guest editor). “Mapping Strategies in Real-time Computer Music.” Organised Sound, 7(2), August 2002.

Book Chapters

  • Alexander Refsum Jensenius, Marcelo M. Wanderley, Rolf Inge Godøy and Marc Leman. “Musical Gesture: Concepts and Methods in Research.” In Rolf Inge Godøy and Marc Leman, ed. Musical Gestures: Sound, Movement and Meaning. New York: Routledge, pp 12-35, 2010.
  • Marcelo M. Wanderley and Bradley Vines. “Ancillary Gestures of Clarinettists”. In A. Gritten and E. King, eds. Music and Gesture, Ashgate Publishing, 2006.
  • Claude Cadoz and Marcelo M. Wanderley. "Gesture-Music." In M. Wanderley and M. Battier (eds): Trends in Gestural Control of Music. Paris: IRCAM - Centre Pompidou, 2000.

Journal Papers

  • Vincent Verfaille, Philippe Depalle, and Marcelo M. Wanderley. “Detecting Overblown Flute Fingerings from the Residual Noise Spectrum.” J. Acoust. Soc. Am. 127(1):534–541, January 2010.
  • Mark T. Marshall, Max Hartshorn, Marcelo M. Wanderley and Daniel J. Levitin. “Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation”. Journal of New Music Research 38(3):241–253, 2009.
  • Manfred Nusseck and Marcelo M. Wanderley. “Music and Motion – How Music-related Ancillary Body Movements Contribute to the Experience of Music”. Music Perception, 26(4):335–353, 2009.
  • Vincent Verfaille, Marcelo M. Wanderley, and Philippe Depalle. “Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects”. Journal of New Music Research, 35(1):71-93, 2006.
  • Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, and Daniel J. Levitin. “Cross-modal Interactions in the Perception of Musical Performance”. Cognition. Elsevier B.V., vol. 101, pp. 80-113, 2006.
  • Doug Van Nort. “Noise/Music and representation systems”. Organised Sound, 11(2): 173-178, 2006.
  • Marcelo M. Wanderley, Bradley Vines, Neil Middleton, Cory McKay, and Wesley Hatch. “The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field”. Journal of New Music Research, 34(1):97-113, 2005.
  • Marcelo M. Wanderley and Philippe Depalle. “Gestural Control of Sound Synthesis”. Proceedings of the IEEE, vol. 92, No. 4 (April), Special Issue on Engineering and Music - Supervisory Control and Auditory Communication, G. Johannsen, Ed., pp. 632-644, 2004.
  • Andy Hunt, Marcelo M. Wanderley, and Matt Paradis. “The Importance of Parameter Mapping in Electronic Instrument Design”. Journal of New Music Research, 32(4):429-440, 2003.
  • Marcelo M. Wanderley and Nicola Orio. “Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI”. Computer Music Journal, 26(3):62-76, 2002.
  • Andy Hunt and Marcelo M. Wanderley. “Mapping Performer Parameters to Synthesis Engines”. Organised Sound, 7(2):97-108, 2002.

Revised Proceedings

  • Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley. “Gestural Control of Sound Spatialization for Live Musical Performance.” In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag, 2009.
  • Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, and Frederic Bevilacqua. “String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study” In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag, 2009.
  • Barbara Mazzarino, Mabuel Peinado, Ronan Boulic, Gualtiero Volpe, and Marcelo M. Wanderley. “Improving the believability of virtual characters using qualitative gesture analysis.” In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag, 2009.
  • Alexander R. Jensenius, Rodolphe Koehly, and Marcelo M. Wanderley. "Building Low-Cost Music Controllers." In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 123-129, 2006.

Conference Papers (since 2004)

  • Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, and Sean Ferguson. ”The CIRMMT/McGill Digital Orchestra Project.” In Proceedings of the International Computer Music Conference (ICMC09), pp. 295-298, Montreal, Qc., Canada.
  • Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley. "fMRI-Compatible Electronic Controllers." In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME07), New York City, USA, pp. 246-249.
  • Nicolas Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, and Frederic Bevilacqua. “Case study of string bowing gestures in tremolo.” Presented at the 2007 International Gesture Workshop, Lisbon, Portugal.
  • Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo Wanderley. “Improving the believability of virtual characters using qualitative gesture analysis.” Presented at the 2007 International Gesture Workshop, Lisbon, Portugal.
  • Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. “Improving Human Movement Recovery Usinf Qualitative Analysis.” In Proceedings of the 3rd International Conference on Enactive Interfaces (ENACTIVE06), Montpellier, France, 2006.
  • Denis Lebel and Joseph Malloch. "The G-Spring Controller." In the Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 85-88, 2006.
  • David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley. "Towards a Dimension Space for Musical Artifacts." Proc. of the 2005 International Conference on New Interfaces for Musical Expression - NIME05, Vancouver, Canada, pp. 192-195, 2005.
  • Anne-Marie Burns and Barbara Mazzarino. “Finger Tracking Methods Using EyesWeb.” Paper presented at the 6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005), Ile de Berder, France, May 18-20 2005.
  • Gary Scavone and Marcelo M. Wanderley. “The Music Technology Program at McGill University.” In Proceedings of the 2004 International Computer Music Conference (ICMC2004), Miami, Fl., 2004.

Conference Abstracts

  • Barbara Mazzarino, Manuel Peinado, Ronan Boulic, and Marcelo M. Wanderley. “A Case Study on Qualitative Evaluation of Avatar Believability.” Presented at the 2nd ENACTIVE Workshop Montreal, Canada, 2006.
  • Eugenia Costa-Giomi, Charlene Ryan, and Marcelo M. Wanderley. “Expressiveness in Music: The Movements of the Performer and Their Effects on the Listener.” Presented at the 2006 International Conference on Music Percption and Cognition - ICMPC06, Bologna, Italy, August, 2006.
  • Bradley W. Vines, Ioana Dalca, and Marcelo M. Wanderley. “Variation in Expressive Physical Gestures of Clarinetists.” Presented at the 2006 International Conference on Music Perception and Cognition - ICMPC06, Bologna, Italy, August, 2006.
  • Louise Campbell, Vincent Verfaille, Marie-Julie Chagnon, Oswald Quek, and Marcelo M. Wanderley. “Different Approaches to the Understanding of Expressive Movements of Clarinetists.” Paper presented during the Second Int. Conf. on Music and Gesture, Manchester, July, 2006.
  • Vincent Verfaille and Marcelo M. Wanderley. “Mapping Strategies for Sound Synthesis, Digital Audio Effects and Sonification of Performer Gestures.” Paper presented during the Acous. Soc. Am. Meeting, Rhodes Island, June 2006.
  • Carmine Casciato, Alexander R. Jensenius, and Marcelo M. Wanderley. "Studying Free Dance Movements to Music." Presented at ESCOM 2005 Performance Matters! Conference, Porto, Portugal, September 2005 (Abstract).

Unpublished Reports