Publications

Publications

Books:

 

Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M.M. (2019). New Directions in Music and Human-Computer Interaction. Cham, Switzerland, Springer International Publishing AG.

Miranda, E.R., Wanderley, M.M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. , A-R Editions, Inc. Madison, WI, USA ©2006.


Journal Papers:

 

Wanderley, M.M., Malloch, J. (2019). Advances in the Design of Mapping for Computer Music. , Computer Music Journal.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Montreal, Canada, Frontiers in Psychology.

Caramiaux, B., Bevilacqua, F., Wanderley, M.M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. , PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M.M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. , IEEE Multimedia.

Demos, A.P., Carter, D.J., Wanderley, M.M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. , Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M.M., Huot, S., Cabral, G., Ramalho, G. (2017). Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments. , IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M.M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. , IEEE Multimedia.

Schumacher, M., Wanderley, M.M. (2016). Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping . Published online on December 22, 2016. DOI:. , Journal of New Music Research.

Hollinger, A., Wanderley, M.M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. , IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M.M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. , Multimedia Tools and Applications.

Carrillo, A.P., Wanderley, M.M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. , IEEE Transactions on Audio, Speech and Language Processing.


Conference Papers:

 

Sullivan, J., Wanderley, M.M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. Marseille, France, 14th International Symposium on Computer Music Multidisciplinary Research.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Wanderley, a.M.M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. Marseille, France, 14th International Symposium on Computer Music Multidisciplinary Research.

Meneses, E., Wang, J., Freire, S., Wanderley, M.M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. Porto Alegre, Brazil, New Interfaces for Musical Expression.

Wang, J., Mulder, A., Wanderley, M.M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. Porto Alegre, Brazil, New Interfaces for Musical Expression.

Bukkapatnam, A.T., Depalle, P., Wanderley, M.M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. Lille, France, International Workshop on Haptic and Audio Interaction Design.

Sullivan, J., Wanderley, M.M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Limassol, Cyprus, Proceedings of the Sound and Music Computing Conference.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M.M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Genoa, Italy, Proceedings of the 5th International Conference on Movement and Computing - MOCO '18.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Genoa, Italy, Proceedings of 5th International Conference on Movement Computing (MOCO'18).

Meneses, E.A.L., Freire, S., Wanderley, M.M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Blacksburg, USA, International Conference on New Interfaces for Musical Expression (NIME).

Nieva, A., Wang, J., Malloch, J., Wanderley, M.M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. Blacksburg, Virginia, New Interfaces for Musical Expression.

Meneses, E.A.L., Wanderley, M.M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. São Paulo - Brazil, 16th Brazilian Symposium on Computer Music.

Ignoto, P., Hattwick, I., Wanderley, M.M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. Los Angeles, USA, 8th International Conference on Applied Human Factors and Ergonomics.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M.M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. , Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M.M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. , Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Wanderley, C.P.a.M.M. (2017). Individuality in Piano Performance Depends on Skill Learning. London, UK, Proceedings of 4th International Conference on Movement Computing (MOCO).

Franco, I., Wanderley, M.M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Baton Rouge, USA, Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Barbosa, J., Wanderley, M.M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Copenhagen, Denmark, NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression.

Hattwick, I., Franco, I., Wanderley, M.M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. , Springer, Cham.

Bhagwati, S., Wanderley, M.M., Sullivan, J. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. , Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Franco, I., Wanderley, M.M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. São Paulo, Brazil, Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research.

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M.M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Denton, USA, Proceedings of the International Computer Music Conference.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Denton, TX, USA, Proceedings of the International Computer Music Conference.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M.M. (2015). The Ilinx Garment: Whole-body tactile experience in a multisensorial art installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, , Wanderley, C.S.a.M. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Maynooth, Ireland, Proceedings of the SMC Conference.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M.M. (2015). What does ‘Evaluation’ mean for the NIME community?. Baton Rouge, USA, NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Malloch, J., Wanderley, M.M. (2007). The T-Stick : From Musical Interface to Musical Instrument. New York City, NY, United States, Proceedings of the International Conference on New Interfaces for Musical Expression.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Vancouver, Canada, Proceedings of the International Conference on New Interfaces for Musical Expression.

Journal Papers:

Wanderley, M.M., Malloch, J. (2019). Advances in the Design of Mapping for Computer Music. , Computer Music Journal.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Montreal, Canada, Frontiers in Psychology.

Caramiaux, B., Bevilacqua, F., Wanderley, M.M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. , PLOS ONE.

Malloch, J., Sinclair, S., Wanderley, M.M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. , IEEE Multimedia.

Demos, A.P., Carter, D.J., Wanderley, M.M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. , Frontiers in Psychology, section Cognitive Science.

Calegario, F., Wanderley, M.M., Huot, S., Cabral, G., Ramalho, G. (2017). Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments. , IEEE Multimedia.

Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M.M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. , IEEE Multimedia.

Schumacher, M., Wanderley, M.M. (2016). Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping . Published online on December 22, 2016. DOI:. , Journal of New Music Research.

Hollinger, A., Wanderley, M.M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. , IEEE Sensors Journal.

Malloch, J., Sinclair, S., Wanderley, M.M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. , Multimedia Tools and Applications.

Carrillo, A.P., Wanderley, M.M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. , IEEE Transactions on Audio, Speech and Language Processing.

Conference Papers:

Sullivan, J., Wanderley, M.M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. Marseille, France, 14th International Symposium on Computer Music Multidisciplinary Research.

Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Wanderley, a.M.M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. Marseille, France, 14th International Symposium on Computer Music Multidisciplinary Research.

Meneses, E., Wang, J., Freire, S., Wanderley, M.M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. Porto Alegre, Brazil, New Interfaces for Musical Expression.

Wang, J., Mulder, A., Wanderley, M.M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. Porto Alegre, Brazil, New Interfaces for Musical Expression.

Bukkapatnam, A.T., Depalle, P., Wanderley, M.M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. Lille, France, International Workshop on Haptic and Audio Interaction Design.

Sullivan, J., Wanderley, M.M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Limassol, Cyprus, Proceedings of the Sound and Music Computing Conference.

Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M.M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Genoa, Italy, Proceedings of the 5th International Conference on Movement and Computing - MOCO '18.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. Genoa, Italy, Proceedings of 5th International Conference on Movement Computing (MOCO'18).

Meneses, E.A.L., Freire, S., Wanderley, M.M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Blacksburg, USA, International Conference on New Interfaces for Musical Expression (NIME).

Nieva, A., Wang, J., Malloch, J., Wanderley, M.M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. Blacksburg, Virginia, New Interfaces for Musical Expression.

Meneses, E.A.L., Wanderley, M.M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. São Paulo - Brazil, 16th Brazilian Symposium on Computer Music.

Ignoto, P., Hattwick, I., Wanderley, M.M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. Los Angeles, USA, 8th International Conference on Applied Human Factors and Ergonomics.

Wang, J., Pritchard, B., Nixon, B., Wanderley, M.M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. , Sound and Music Computing.

Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M.M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. , Sound and Music Computing.

Caramiaux, B., Bevilacqua, F., Wanderley, C.P.a.M.M. (2017). Individuality in Piano Performance Depends on Skill Learning. London, UK, Proceedings of 4th International Conference on Movement Computing (MOCO).

Franco, I., Wanderley, M.M. (2017). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Baton Rouge, USA, Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Barbosa, J., Wanderley, M.M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Copenhagen, Denmark, NIME 2017 - Proceedings of the 2017 International Conference on New Interfaces for Musical Expression.

Hattwick, I., Franco, I., Wanderley, M.M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. , Springer, Cham.

Bhagwati, S., Wanderley, M.M., Sullivan, J. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. , Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Massie-Laberge, C., Cossette, I., Wanderley, M.M. (2016). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. San Francisco, USA, In proceedings of ICMPC 2016 International Conference for Music Perception and Cognition.

Franco, I., Wanderley, M.M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. São Paulo, Brazil, Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research.

Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M.M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. Denton, USA, Proceedings of the International Computer Music Conference.

Sullivan, J. (2015). Noisebox: Design and Prototype of a New Digital Musical Instrument. Denton, TX, USA, Proceedings of the International Computer Music Conference.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M.M. (2015). The Ilinx Garment: Whole-body tactile experience in a multisensorial art installation. Vancouver, Canada, 21st International Symposium on Electronic Art.

Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, , Wanderley, C.S.a.M. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Maynooth, Ireland, Proceedings of the SMC Conference.

Barbosa, J., Malloch, J., Huot, S., Wanderley, M.M. (2015). What does ‘Evaluation’ mean for the NIME community?. Baton Rouge, USA, NIME 2015 - Proceedings of the 2015 International Conference on New Interfaces for Musical Expression.

Malloch, J., Wanderley, M.M. (2007). The T-Stick : From Musical Interface to Musical Instrument. New York City, NY, United States, Proceedings of the International Conference on New Interfaces for Musical Expression.

Franco, I. (2005). The AirStick: A Free-gesture Controller Using Infrared Sensing. Vancouver, Canada, Proceedings of the International Conference on New Interfaces for Musical Expression.