Biography:

Professor in Music Technology
International Chair – Inria Lille, Nord Europe
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT)

• Electrical Engineering – UFPR (Brazil), 1988
• M.Eng in Electrical Engineering – UFSC (Brazil), 1992
• Ph.D. in Acoustics, Signal Processing and Computer Science Applied to Music, Université Paris VI (France), 2001

Research Statement:

My main research goal is the development of novel devices for music performance. Since 1995 I have been involved in various projects related to gestural control of sound synthesis and more recently I have been involved with the international conference on New Interfaces for Musical Expression as a member of its steering committee and as the chairman of the NIME-03 conference. I have also co-edited the electronic book Trends in Gestural Control of Music [Wanderley and Battier, 2000] and co-written the textbook New Digital Musical Instruments: Control and Interaction Beyond the Keyboard [Miranda and Wanderley, 2006].

Research Areas:

• Haptics: Tactile and Force-Feedback
• Interface Design
• Mapping
• Movement Analysis
• Sensors

Projects

Publications:

• Miranda, E. R., Wanderley, M. M. (2006). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. . A-R Editions, Inc.Middleton, WI, USA.
• Barbosa, J., Wanderley, M. M., Huot, S. (2017). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. In Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017) (pp. 87-93). Copenhagen, Denmark.
• Barbosa, J., Malloch, J., Huot, S., Wanderley, M. M. (2015). What does ‘Evaluation’ mean for the NIME community?. In Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015). Baton Rouge, LA, USA.
• Ignoto, P., Hattwick, I., Wanderley, M. M. (2017). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. In 8th International Conference on Applied Human Factors and Ergonomics. Los Angeles, USA.
• Caramiaux, B., Bevilacqua, F., Palmer and Marcelo Wanderley, C. M. (2017). Individuality in Piano Performance Depends on Skill Learning. In Proceedings of 4th International Conference on Movement Computing (MOCO). London, UK.
• Wang, J., Pritchard, B., Nixon, B., Wanderley, M. M. (2017). Explorations with Digital Control of MIDI-enabled Pipe Organs. In Sound and Music Computing.
• Franco, I., Wanderley, M. M. (2016). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. In Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research. São Paulo, Brazil.
• Lamontagne, V., Martinucci, M., Salter, C., Hattwick, I., Franco, I., Giordano, M., Egloff, D., Wanderley, M. (2015). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. In 21st International Symposium on Electronic Art. Vancouver, Canada.
• Franco, I., Wanderley, M. M. (2015). Practical Evaluation of Synthesis Performance on the BeagleBone Black. In Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME2015). Baton Rouge, LA, USA.
• Giordano, M., Hattwick, I., Franco, I., Egloff, D., Lamontagne, V., TeZ, T., Salter and Marcelo Wanderley, C. (2015). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. In Proceedings of the SMC Conference. Maynooth, Ireland.
• Hattwick, I., Franco, I., Giordano, M., Egloff, D., Lamontagne, V., Arawjo, I., Martinucci, M., Salter, C., Wanderley, M. M. (2015). Composition Techniques for the Ilinx Vibrotactile Garment. In Proceedings of the International Computer Music Conference. Denton, TX, USA.
• Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2016). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. In Proceedings of the International Conference for Music Perception and Cognition. San Francisco, USA.
• Meneses, E. A. L., Wanderley, M. M. (2017). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. In 16th Brazilian Symposium on Computer Music (pp. 168--169). São Paulo - Brazil.
• Hattwick, I., Franco, I., Wanderley, M. M. (2017). The Vibropixels: A Scalable Wireless Tactile Display System. In Proc. of the International Conference on Human-Computer Interaction (HCII). Vancouver, BC, Canada.
• Franco, I., Wanderley, M. M. (2017). Prynth: A Framework for Self-contained Digital Music Instruments. In Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Aramaki, M., Kronland-Martinet, R., Ystad, S. (Eds.). Springer.São Paulo, Brazil.
• Malloch, J., Wanderley, M. M. (2007). The T-Stick : From Musical Interface to Musical Instrument. In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007) (pp. 66--69). New York City, NY, USA.
• Sullivan, J., Wanderley, M. M. (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. In Proceedings of the Sound and Music Computing Conference. Limassol, Cyprus.
• Sullivan, J., Tibbitts, A., Gatinet, B., Wanderley, M. M. (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. In Proceedings of the 5th International Conference on Movement and Computing (MOCO'18). Genoa, Italy.
• Meneses, E. A. L., Freire, S., Wanderley, M. M. (2018). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018) (pp. 222–227). Blacksburg, VA, USA.
• Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2019). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. In Frontiers in Psychology.
• Massie-Laberge, C., Cossette, I., Wanderley, M. M. (2018). Kinetic Analysis of Hip Motion During Piano Playing. In Proceedings of 5th International Conference on Movement Computing (MOCO'18). Genoa, Italy.
• (2019). New Directions in Music and Human-Computer Interaction. . Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). Springer International Publishing.Cham, Switzerland.
• (2014). Advances in the Design of Mapping for Computer Music. In Computer Music Journal. Wanderley, M. M., Malloch, J. (Eds.). Computer Music Journal, MIT Press.
• Caramiaux, B., Bevilacqua, F., Wanderley, M. M., Palmer, C. (2018). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. In PLOS ONE.
• Malloch, J., Sinclair, S., Wanderley, M. M. (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. In IEEE Multimedia (pp. 39-50).
• Calegario, F., Wanderley, M. M., Huot, S., Cabral, G., Ramalho, G. (2017). A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. In IEEE Multimedia (pp. 63–71).
• Maestre, E., Papiotis, P., Marchini, M., Llimona, Q., Mayor, O., Perez, A., Wanderley, M. M. (2017). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. In IEEE Multimedia (pp. 24–34).
• Schumacher, M., Wanderley, M. M. (2016). Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping . Published online on December 22, 2016. DOI:. In Journal of New Music Research. Taylor & Francis.
• Hollinger, A., Wanderley, M. M. (2015). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. In IEEE Sensors Journal (pp. 6125-6134).
• Perez Carrillo, A., Wanderley, M. M. (2015). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. In IEEE Transactions on Audio, Speech and Language Processing (pp. 932-940).
• Malloch, J., Sinclair, S., Wanderley, M. M. (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. In Multimedia Tools and Applications (pp. 5683-5707).
• Meneses, E., Wang, J., Freire, S., Wanderley, M. M. (2019). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019). Porto Alegre, Brazil.
• Wang, J., Mulder, A., Wanderley, M. M. (2019). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019). Porto Alegre, Brazil.
• Sullivan, J., Wanderley, M. M. (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. In 14th International Symposium on Computer Music Multidisciplinary Research. Marseille, France.
• Wang, J., Malloch, J., Sinclair, S., Wilansky, J., Krajeski, A., Marcelo Wanderley, a. M. (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. In Proceedings of the 14th International Symposium on Computer Music Multidisciplinary Research (CMMR). Marseille, France.
• Tom, A., Venkatesan, H., Franco, I., Wanderley, M. M. (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019). Porto Alegre, Brazil.
• Giordano, M., Sullivan, J., Wanderley, M. M. (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Papetti, S., Saitis, C. (Eds.). Springer, Cham.Cham, Switzerland.
• Sullivan, J., Vanasse, J., Guastavino, C., Wanderley, M. M. (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, UK.
• Wang, J., Meneses, E., Wanderley, M. M. (2020). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, U.K..
• Calegario, F., Tragtenberg, J., Wang, J., Franco, I., Meneses, E. A. L., Wanderley, M. M. (2020). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. In Proc. of the International Conference on Human-Computer Interaction (HCII) (pp. 14). Copenhagen, Denmark.
• Meneses, E. A. L., Fukuda, T., Wanderley, M. M. (2020). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. In Proc. of the International Conference on Human-Computer Interaction (HCII). Copenhagen, Denmark.
• Kirkegaard, M., Bredholt, M., Frisson, C., Wanderley, M. M. (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020) (pp. 6). Birmingham, UK.
• Kirkegaard, M., Bredholt, M., Marcelo Wanderley, a. M. (2020). An intermediate mapping layer for interactive sequencing. In Proc. of the International Conference on Human-Computer Interaction (HCII) (pp. 10). Copenhagen, Denmark.
• Morreale, F., Bin, A., McPherson, A., Stapleton, P., Wanderley, M. M. (2020). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, UK.
• Wanderley, M. M., Bredholt, M., Frisson, C. (2020). A Visualization Tool for the CIRMMT Distinguished Lecture Series. In Proc. of the International Conference on Human-Computer Interaction (HCII). Copenhagen, Denmark.
• Tom, A., Singh, A., Daigle, M., Marandola, F., Wanderley, M. M. (2020). Haptic Tutor – A haptics-based music education tool for beginners. In International Workshop on Haptic and Audio Interaction Design (HAID). Montreal, Canada.
• Calegario, F., Wanderley, M., Tragtenberg, J., Wang, J., Sullivan, J., Meneses, E., Franco, I., Kirkegaard, M., Bredholt, M., Rohs, J. (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020) (pp. 6). Birmingham, UK.
• West, T., Caramiaux, B., Wanderley, M. M. (2020). Making Mappings: Examining the Design Process. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, UK.
• Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2020). Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. In Journal on Multimodal Interfaces (pp. 285-301).
• Pietrzak, T., Wanderley, M. M. (2020). Haptic and audio interaction design. In Journal on Multimodal Interfaces (pp. 231-233).
• Malloch, J., Garcia, J., Wanderley, M. M., Mackay, W. E., Beaudouin-Lafon, M., Huot, S. (2019). A Design Workbench for Interactive Music Systems. In New Directions in Music and Human-Computer Interaction. (pp. 23-40). Holland, S., Mudd, T., Wilkie-McKenna, K., McPherson, A., Wanderley, M. M. (Eds.). Springer, Cham.
• Verdugo, F., Kokubu, S., Wang, J., Wanderley, M. M. (2020). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. In Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID). Montreal, Canada.
• Zadel, M., Kosek, P. C., Wanderley, M. M. (2004). An Inertial, Pliable Interface. In An Inertial, Pliable Interface.
• Freire, S., Santos, G., Armondes, A., Meneses, E. A. L., Wanderley, M. M. (2020). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. In Sensors.
• Wanderley, M. M., Vines, B. (2006). Origins and Function of Clarinettists’ Ancillary Gestures. In Music and Gesture: New Perspectives on Theory and Contemporary Practice. Gritten, A., King, E. (Eds.).
• Wanderley, M. M., Vines, B., Middleton, N., McKay, C., Hatch, W. (2005). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .
• Vines, B., Wanderley, M. M., Krumhansl, C., Nuzzo, R., Levitin, D. (2004). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. . Camurri, A., Volpe, G. (Eds.). Genova, Italy.
• Wanderley, M. M. (2002). Quantitative Analysis of Non-obvious Performer Gestures. In Gesture and Sign Language in Human-Computer Interaction (pp. 241-253). Wachsmuth and Sowa, I. T. (Eds.).
• Wanderley, M. M. (1999). Non-Obvious Performer Gestures in Instrumental Music. In Gesture-Based Communication in Human-Computer Interaction (pp. 37-48). Braffort, A., Gherbi, R., Gibet, S., Richardson, J., Teil, D. (Eds.).
• Cadoz, C., Wanderley, M. M. (2000). Gesture-Music. In Trends in Gestural Control of Music. Wanderley and Battier, M. M. M. (Eds.). Paris, Fr.
• Wanderley, M. M., Depalle, P. (2004). Gestural Control of Sound Synthesis. In Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication (pp. 632-644).
• Wanderley, M. M., Depalle, P. (2001). Gesturally-Controlled Digital Audio Effects. In Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx2001) (pp. 165-169). Limerick, Ireland.
• Campbell, L., Chagnon, M., Wanderley, M. M. (2005). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. In Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.
• (2000). Trends in Gestural Control of Music. . Wanderley, M. M., Battier, M. (Eds.). Ircam, Paris, France.Ircam, Paris, France.
• Van Nort, D., Wanderley, M. M. (2006). Exploring The Effect of Mapping Trajectories on Musical Performance. In Proc. of the 2006 Sound and Music Computing Conference (SMC2006). Marseille, France.
• Van Nort, D., Wanderley, M. M. (2007). Control Strategies for Navigation of Complex Sonic Spaces. In Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007) (pp. 379–383). New York City, NY, USA.
• Van Nort, D., Wanderley, M. M. (2006). The LoM Mapping Toolbox for Max/MSP/Jitter. In Proceedings of the 2006 International Computer Music Conference (ICMC2006). New Orleans, USA.
• Malloch, J., Sinclair, S., Wanderley, M. M. (2007). From controller to sound: Tools for collaborative development of digital musical instruments. In Proceedings of the 2007 International Computer Music Conference (ICMC2007) (pp. 65–72). Copenhagen, Denmark.
• Malloch, J., Sinclair, S., Wanderley, M. M. (2008). A network-based framework for collaborative development and performance of digital musical instruments. In CMMR 2007, - Proceedings of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969 (pp. 401–425). Kronland-Martinet, R., Ystad, S., Jensen, K. (Eds.). Springer Verlag.Berlin, Germany.
• Wanderley, M. M. (2017). Expert Commentary: Perry Cook’s Principles Still Going Strong. In A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13). Refsum Jensenius, A., Lyons, M. J. (Eds.).
• Brum Medeiros, C., Wanderley, M. M. (2014). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. In Sensors Journal (pp. 13556-13591).
• Brum Medeiros, C., Wanderley, M. M. (2011). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. In Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011).
• Wanderley, M. M., Middleton, N., McKay, C., Hatch, W., Vines, B. W. (2004). Expressive Movements of Clarinetists: Quantification and Musical Considerations. In (PDF document, 1.6 Mbytes) Copyright: McGill University.
• Wanderley, M. M., Depalle, P., Warusfel, O. (1999). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. In Proceedings of the international Computer Music Conference (pp. 418-421).
• Malloch, J., Wanderley, M. M. (2017). Embodied Cognition and Digital Musical Instruments: Design and Performance. In The Routledge Companion to Embodied Music Interaction (pp. 438–447). Lesaffre, M., Leman, M., Maes, P. (Eds.).
• Demos, A. P., Carter, D. J., Wanderley, M. M., Palmer, C. (2017). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. In Frontiers in Psychology, section Cognitive Science.
• Nieva, A., Wang, J., Malloch, J., Wanderley, M. M. (2018). The T-Stick: Maintaining a 12 year-old digital musical instrument. In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018) (pp. 198–199). Blacksburg, VA, USA.
• Wang, J., Malloch, J., Huot, S., Chevalier, F., Wanderley, M. M. (2017). Versioning and Annotation Support for Collaborative Mapping Design. In Sound and Music Computing.
• Bhagwati, S., Wanderley, M. M., Sullivan, J., Giordano, M. (2016). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. In Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.
• Maes, P., Palmer, C., Wanderley, M. M. (2015). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. In Experimental Brain Research (pp. 263–273). Springer Berlin Heidelberg.
• Koehly, R., Wanderley, M. M., van de Ven, T., Curtil, D. (2014). In-House Development of Paper Force Sensors for Musical Applications. In Computer Music Journal (pp. 22-35). MIT Press.
• Livingstone, S. R., Thompson, W. F., Wanderley, M. M., Palmer., C. (2014). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. In Quarterly Journal of Experimental Psychology (pp. 952-970). Taylor & Francis.
• Maes, P., Leman, M., Palmer, C., Wanderley., M. M. (2014). Action-based Effect on Music Perception. In Frontiers in Psychology (pp. 1–14). Frontiers Media S.A..
• Van Nort, D., Wanderley, M. M., Depalle, P. (2014). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. In Computer Music Journal (pp. 6-22). MIT Press.
• Seger, R. A., Wanderley, M. M., Koerich., A. L. (2014). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. In Expert Systems with Applications (pp. 2098-2106). Elsevier.
• Sinclair, S., Wanderley, M. M., Hayward, V. (2014). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. In IEEE Transactions on Haptics (pp. 533–544). IEEE.
• Teixeira, E. C. F., Loureiro, M. A., Wanderley, M. M., Yehia, H. C. (2014). Motion Analysis of Clarinet Performers. In Journal of New Music Research (pp. 97-111). Taylor & Francis.
• Michael Winters, R., Wanderley, M. M. (2014). Sonification of Emotion: Strategies and Results from the Intersection with Music. In Organised Sound (pp. 60–69). Cambridge University Press.
• Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2013). Gestural Strategies in the Harp Performance. In Acta Acustica united with Acustica (pp. 986-996). Hirzel Verlag.
• Thibodeau, J., Wanderley, M. M. (2013). Trumpet Augmentation and Technological Symbiosis. In Computer Music Journal (pp. 12-25). MIT Press.
• Bouënard, A., Gibet, S., Wanderley, M. M. (2012). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. In The Visual Computer Journal (pp. 357–370). Springer.
• Caramiaux, B., Wanderley, M. M., Bevilacqua, F. (2012). Segmenting and Parsing Instrumentalist’s Gestures. In Journal of New Music Research (pp. 13-29). Routledge.
• Michael Winters, R., Savard, A., Verfaille, V., Wanderley, M. M. (2012). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. In The International Journal of Multimedia & Its Applications (IJMA) (pp. 13–26). AIRCC Publishing Corporation.
• Bouënard, A., Wanderley, M. M., Gibet, S., Marandola, F. (2011). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. In Computer Music Journal (pp. 57–72). MIT Press.
• Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I. M., Levitin., D. J. (2011). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. In Cognition (pp. 157-170). Elsevier.
• Bouënard, A., Wanderley, M. M., Gibet, S. (2010). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. In Acta Acustica united with Acustica (pp. 668–677). S. Hirzel Verlag.
• Ferguson, S., Wanderley, M. M. (2010). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. In Journal of Interdisciplinary Music Studies (pp. 17-35).
• Chadefaux, D., Le Carrou, J., Fabre, B., Wanderley, M. M., Daudet, L. (2012). Experimental study of the musician / instrument interaction in the case of the concert harp. In Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.
• Verfaille, V., Depalle, P., Wanderley., M. M. (2010). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. In Journal of the Acoustical Society of America (pp. 534–541). Acoustical Society of America.
• Marshall, M. T., Hartshorn, M., Wanderley, M. M., Levitin, D. J. (2009). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. In Journal of New Music Research (pp. 241–253). Routledge.
• Nusseck, M., Wanderley, M. M. (2009). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. In Music Perception: An Interdisciplinary Journal (pp. 335–353). University of California Press.
• Sinclair, S., Wanderley, M. M. (2009). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. In Interacting with Computers (pp. 54–63). Elsevier.
• Verfaille, V., Rebillout, A., Guillemain, P., Wanderley, M. M. (2008). Refining mapping strategies to improve the sound quality of physically controlled synthesis. In Journal of the Acoustical Society of America. Acoustical Society of America.
• Verfaille, V., Wanderley, M. M. (2006). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. In Journal of the Acoustical Society of America. Acoustical Society of America.
• Verfaille, V., Wanderley and Philippe Depalle, M. M. (2006). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. In Journal of New Music Research (pp. 71-93). Routledge.
• Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. In Cognition (pp. 80–113). Elsevier.
• Hunt, A., Wanderley, M. M., Paradis, M. (2003). The Importance of Parameter Mapping in Electronic Instrument Design. In Journal of New Music Research (pp. 429–440). Routledge.
• Hunt, A., Wanderley, M. M. (2002). Mapping Performance Parameters to Synthesis Engines. In Organised Sound (pp. 97–108). Cambridge University Press.
• Wanderley, M. M., Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. In Computer Music Journal (pp. 62–76). MIT Press.
• Depalle, P., Tassart, S., Wanderley, M. M. (1997). Instruments Virtuels. In Resonance (pp. 5-8).
• Fraisse, V., Wanderley, M. M., Guastavino, C. (2021). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. In Multimodal Technol. Interact.. Basel, Switzerland.
• Pras, A., Rodrigues, M. G., Grupp, V., Wanderley, M. M. (2021). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. In Frontiers in Psychology.
• Frisson, C., Bredholt, M., Malloch, J., Wanderley, M. M. (2021). MapLooper: Live-looping of distributed gesture-to-sound mappings. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Skarha, M., Cusson, V., Frisson, C., Wanderley, M. M. (2021). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Calegario, F., Tragtenberg, J., Frisson, C., Meneses, E., Malloch, J., Cusson, V., Wanderley, M. M. (2021). Documentation and Replicability in the NIME Community. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021).. Shanghai, China.
• Charles Reimer, P. J., Wanderley, M. M. (2021). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Michael Winters, R., Wanderley, M. M. (2012). New Directions for the Sonification of Expressive Movement in Music Performance. In International Conference on Auditory Display. Atlanta, Georgia, USA.
• Hattwick, I., Malloch, J., Wanderley, M. M. (2014). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014) (pp. 443–448). London, UK.
• West, T., Caramiaux, B., Huot, S., Wanderley, M. M. (2021). Making Mappings: Design Criteria for Live Performance. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Fukuda, T., Meneses, E., West, T. J., Wanderley, M. M. (2021). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Regimbal, J., Wanderley, M. M. (2021). Interpolating Audio and Haptic Control Spaces. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Santos, G., Wang, J., Medeiros, C., Wanderley, M. M., Tavares, T., Rocha, A. (2021). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Fraisse, V., Guastavino, C., Wanderley, M. M. (2021). A Visualization Tool to Explore Interactive Sound Installations. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Costalonga, L., Pimenta, M., Wanderley, M. M. (2021). Can Ubimus Technologies Affect our Musicality?. In PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.
• Wanderley, M. M., West, T., Rohs, J., Meneses, E. A. L., Frisson, C. (2021). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. In Audio Mostly 2021 Conference. Trento, Italy.
• Costalonga, L., Hora, D., Pimenta, M., Wanderley, M. M. (2021). The Ragpicking DMI Design: The Case for Green Computer Music. In 10th International Conference on Digital and Interactive Arts (ARTECH 2021). Aveiro, Portugal.
• Azevedo Costa Neto, A., Assunção de Araújo, N., Wanderley, M. M. (2021). Projeto: Cerrado: Unfolding Spaces. In 10th International Conference on Digital and Interactive Arts (ARTECH 2021). Aveiro, Portugal.
• Sinyor, E., Wanderley, M. M. (2005). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005) (pp. 42-45). Vancouver, Canada.
• Malloch, J., Birnbaum, D., Sinyor, E., Wanderley, M. M. (2006). A New Conceptual Framework for Digital Musical Instruments. In Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06) (pp. 49–52). Montreal, Qc, Canada.
• Vigliensoni, G., Wanderley, M. M. (2010). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. In Proceedings of the 2010 international Computer Music Conference (ICMC2010) (pp. 100-103). New York, NY, USA.
• Lavastre, B., Wanderley, M. M. (2021). Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music. In Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research (CMMR). Tokyo, Japan.
• Turchet, L., West, T., Wanderley, M. M. (2020). Touching the Audience: Musical Haptic Wearables for augmented and participatory live music performances. In Personal and Ubiquitous Computing. Springer.
• Demos, A. P., Layeghi, H., Wanderley, M. M., Palmer, C. (2019). Staying together: A bidirectional delay-coupled approach to joint action. In Cognitive Science.
• Zadel, M., Sinclair, S., Wanderley, M. M. (2009). Haptic Feedback for Different Strokes Using DIMPLE. In Proceedings of the 2009 International Computer Music Conference (ICMC2009) (pp. 291–294). Montreal, Qc, Canada.
• Sinclair, S., Wanderley, M. M. (2007). Extending DIMPLE: a rigid body haptic simulator for interactive control of sound. In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE 2007) (pp. 263–266). Grenoble, France.
• Sinclair, S., Wanderley, M. M. (2007). Using PureData to control a haptically-enabled virtual environment. In Proceedings of the PureData Convention '07. Montreal, Qc, Canada.
• Sinclair, S., Wanderley, M. M. (2007). Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems. In Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME 2007) (pp. 209-212). New York City, NY, USA.
• Sullivan, J., Guastavino, C., Wanderley, M. M. (2021). Surveying Digital Musical Instrument Use in Active Practice. In Journal of New Music Research (pp. 469 - 486).
• Hollinger, A., Wanderley, M. M. (2012). Optoelectronic Acquisition and Control Board for Musical Applications. In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012). Ann Arbor, MI, USA.
• Hollinger, A., Wanderley, M. M. (2013). MRI-Compatible Optically-Sensed Cello. In IEEE Sensors Conference. IEEE.
• Hollinger, A., Penhune, V., Zatorre, R., Steele, C., Wanderley, M. M. (2007). fMRI-Compatible Electronic Controllers. In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007). New York City, NY, USA.
• Hattwick, I., Beebe, P., Hale, Z., Wanderley, M. M., Leroux, P., Marandola, F. (2014). Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014) (pp. 597-600). London, UK.
• Hattwick, I., Wanderley, M. M. (2015). Interactive Lighting in the Pearl: Considerations and Implementation. In Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015) (pp. 201-204). Baton Rouge, LA, USA.
• Yaremchuk, V., Medeiros, C. B., Wanderley, M. M. (2019). Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019) (pp. 150-155). Porto Alegre, Brazil.
• Morreale, F., McPherson, A. P., Wanderley, M. M. (2018). NIME Identity from the Performer’s Perspective. In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018) (pp. 168–173). Blacksburg, VA, USA.
• Hattwick, i., Wanderley, M. M. (2017). Design of Hardware Systems for Professional Artistic Applications. In Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017) (pp. 436–441). Copenhagen, Denmark.
• Rosa Mamedes, C., Rodrigues, M. G., Wanderley, M. M., Manzolli, J., Garcia, D. H. L., Ferreira Lopes, P. (2014). Composing for DMIs – Entoa, music for Intonaspacio. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014) (pp. 509-512). London, UK.
• Vigliensoni, G., Wanderley, M. M. (2012). A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012). Ann Arbor, MI, USA.
• Giordano, M., Sinclair, S., Wanderley, M. M. (2012). Bowing a Vibration-enhanced Force Feedback Device. In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012). Ann Arbor, MI, USA.
• Marshall, M. T., Wanderley, M. M. (2011). Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. In Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME 2011) (pp. 399–404). Oslo, Norway.
• Perez Carrillo, A., Arcos, J., Wanderley, M. M. (2015). Estimation of Guitar Fingering and Plucking Controls based on Multimodal Analysis of Motion, Audio and Musical Score. In Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR).
• Tits, M., Tilmanne, J., D’Alessandro, N., Wanderley, M. M. (2015). Feature Extraction and Expertise Analysis of Pianists’ Motion-Captured Finger Gestures. In Proceedings of the International Computer Music Conference (ICMC). Denton, TX, USA.
• Egloff, D., Wanderley, M. M., Frissen, I. (2018). Haptic Display of Melodic Intervals for Musical Applications. In Proceedings of the 2018 IEEE Haptics Symposium. San Francisco, CA, USA.
• Barbosa, J., Wanderley, M. M., Huot, S. (2018). ZenStates: Easy-to-Understand yet Expressive Specifications for Creative Interactive Environments. In Proceedings of IEEE Symposium on Visual Languages and Human-Centric Computing. IEEE.Lisbon, Portugal.
• Tirumala Bukkapatnam, A., Depalle, P., Wanderley, M. M. (2019). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. In Proceedings of the 2019 International Workshop of Haptic and Audio Interaction Design (HAID 2019). Lille, France.
• Kell, T., Wanderley, M. M. (2014). A High-Level Review of Mappings in Musical iOS Applications. In Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC). Athens, Greece.
• Bacon, B., Wanderley, M. M., Marandola, F. (2014). Handedness in Percussion Sight-Reading. In Proceedings of 1st International Conference on Movement Computing (MOCO'14) (pp. 112-117). Paris, France.
• Boettcher, B., Sullivan, J., Wanderley, M. M. (2022). Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. In New Interfaces for Musical Expression (NIME) 2022.
• Boettcher, B., Malloch, J., Wang, J., Wanderley, M. M. (2022). Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. In New Interfaces for Musical Expression (NIME) 2022.
• Bouënard, A., Gibet, S., Wanderley, M. M. (2009). Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis. .
• Bouënard, A., Wanderley, M. Â., Gibet, S. (2009). Analysis of Timpani Preparatory Gesture Parameterization. In International Gesture Workshop.
• Verdugo, F., Ceglia, A., Frisson, C., Burton, A., Begon, M., Gibet, S., Wanderley, M. M. (2022). Feeling the Effort of Classical Musicians – A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. In Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME 2022).
• Lavastre, B., Wanderley, M. M. (2023). Interaction Strategies in Composition for Karlax and Acoustic Instruments. In Music in the AI Era. 15th International Symposium, CMMR 2021, November 15–19, 2021 Revised Selected Papers, LNCS 13770 (pp. 163-179). Aramaki, M., Hirata, K., Kitahara, T., Kronland-Martinet and Sølvi Ystad, R. (Eds.). Springer Nature.Swtizerland.
• Frisson, C., Kirkegaard, M., Pietrzak, T., Wanderley, M. M. (2022). ForceHost: An Open-source Toolchain for Generating Firmware Embedding the Authoring and Rendering of Audio and Force-feedback Haptics. In Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME2022). Auckland, NZ.
• Kirby, L., Buser, P., Wanderley, M. M. (2022). Introducing the t-Tree: A t-Stick-Based DMI and Hub for Performance and Installation. In Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME2022). Auckland, NZ.
• Boettcher, B., Meneses, E., Frisson, C., Wanderley, M. M., Malloch, J. (2023). Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Meneses, E., Piquet, T., Noble, J., Wanderley, M. M. (2023). The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Buser, P., Pocius, K., Kirby, L., Wanderley, M. M. (2023). Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Fukuda, T., Wanderley, M. M. (2023). T-Patch: a software application for T-Stick Digital Musical Instruments Mexico City, MX. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Davis, T., Pocius, K., Cusson, V., Wanderley, M. M., Pasquier, P. (2023). eTu{d,b}e: Case studies in playing with musical agents. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Niyonsenga, A., Wanderley, M. M. (2023). Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Frisson, C., Wanderley, M. M. (2023). Challenges and Opportunities of Force Feedback in Music. In Arts. Paterson and Marcelo Wanderley, J. M. (Eds.). MDPI.
• (2023). Feeling the Future—Haptic Audio. . Paterson, J., Wanderley, M. M. (Eds.). Arts - MDPI.
• Paterson, J., Wanderley, M. M. (2023). Feeling the Future—Haptic Audio: Editorial. In Arts. MDPI.
• West, T. J., Bachmayer, A., Bhagwati, S., Berzowska, J., Wanderley, M. M. (2019). The Design of the Body:Suit:Score, a Full-Body Vibrotactile Musical Score. In Proc. of the International Conference on Human-Computer Interaction (HCII). Orlando, FL, USA.
• Bacon, B., Jackson, S., Marci, I., Marandola, F., Wanderley, M. M. (2023). Sticking Choices in Timpani Sight-Reading Performance. In Front. Psychol. Sec. Performance Science.
• Piao, Z., Wanderley, M. M., Verdugo, F. (2023). MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback. In Proceedings of the 2023 International Conference on ArtsIT, Interactivity and Game Creation (ArtsIT 2023).
• Gonçalves Duarte, E., Cossette, I., Wanderley, M. M. (2023). Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. In Frontiers in Computer Science. Frid, E. M. (Eds.).
• Niyonsenga, A., Wanderley, M. M. (2024). Take Five: Improving Maintainability and Reliability of the T-Stick. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• West, T. J., Huot, S., Wanderley, M. M. (2024). Sygaldry: DMI Components First and Foremost. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Ronen, O., Wanderley, M. M. (2024). Sonic Touch: A Haptic Toolkit for Fast Vibrotactile Prototyping. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Gentili-Morin, M., Wanderley, M. M. (2024). R-FF: A Single Reed Haptic Library for the TorqueTuner. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Moriceau, G., Yan, Y., Thibault, D., Wanderley, M. M. (2024). The Obstacle Course of DMI Performance: Two Case Studies with T-Stick and Karlax. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Van Kerrebroeck, B., Wanderley, M. M., Demos, A. P., Palmer, C. (2024). Virtual Partners Improve Synchronization in Human-Machine Trios. In CogSci 2024 - Dynamics of Cognition. 46th Annual Meeting.. Rotterdam, NL.
• Piao, Z., Frisson, C., Van Kerrebroeck, B., Wanderley, M. M. (2024). Assessing the Impact of Force Feedback in Musical Knobs on Performance and User Experience. In Actuators (pp. 15). Mohammadi, A., Martinez-Hernandez, U. (Eds.).

Contacts:

• Email: marcelo.wanderley@mcgill.ca