Biography:

Professor in Music Technology
International Chair – Inria Lille, Nord Europe
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT)

• Electrical Engineering – UFPR (Brazil), 1988
• M.Eng in Electrical Engineering – UFSC (Brazil), 1992
• Ph.D. in Acoustics, Signal Processing and Computer Science Applied to Music, Université Paris VI (France), 2001

Research Statement:

My main research goal is the development of novel devices for music performance. Since 1995 I have been involved in various projects related to gestural control of sound synthesis and more recently I have been involved with the international conference on New Interfaces for Musical Expression as a member of its steering committee and as the chairman of the NIME-03 conference. I have also co-edited the electronic book Trends in Gestural Control of Music [Wanderley and Battier, 2000] and co-written the textbook New Digital Musical Instruments: Control and Interaction Beyond the Keyboard [Miranda and Wanderley, 2006].

Research Areas:

• Haptics: Tactile and Force-Feedback
• Interface Design
• Mapping
• Movement Analysis
• Sensors

Projects

Publications:

• Eduardo R. Miranda, Marcelo M. Wanderley (2006-01-01). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. . A-R Editions, Inc.Middleton, WI, USA.
• Jeronimo Barbosa, Marcelo M. Wanderley, Stéphane Huot (2017-05-18). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. In Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017) (pp. 87-93). Copenhagen, Denmark.
• Jeronimo Barbosa, Joseph Malloch, Stéphane Huot, Marcelo M. Wanderley (2015-05-16). What does ‘Evaluation’ mean for the NIME community?. In Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015). Baton Rouge, LA, USA.
• Patrick Ignoto, Ian Hattwick, Marcelo M. Wanderley (2017-07-24). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. In 8th International Conference on Applied Human Factors and Ergonomics. Los Angeles, USA.
• Baptiste Caramiaux, Frédéric Bevilacqua, Caroline Palmer and Marcelo M. Wanderley (2017-06-28). Individuality in Piano Performance Depends on Skill Learning. In Proceedings of 4th International Conference on Movement Computing (MOCO). London, UK.
• Johnty Wang, Bob Pritchard, Bryn Nixon, Marcelo M. Wanderley (2017-07-05). Explorations with Digital Control of MIDI-enabled Pipe Organs. In Sound and Music Computing.
• Ivan Franco, Marcelo M. Wanderley (2016-07-05). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. In Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research. São Paulo, Brazil.
• Valérie Lamontagne, Maurizio Martinucci, Chris Salter, Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo Wanderley (2015-08-17). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. In 21st International Symposium on Electronic Art. Vancouver, Canada.
• Ivan Franco, Marcelo M. Wanderley (2015-06-01). Practical Evaluation of Synthesis Performance on the BeagleBone Black. In Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME2015). Baton Rouge, LA, USA.
• Marcello Giordano, Ian Hattwick, Ivan Franco, Deborah Egloff, Valerie Lamontagne, TeZ, Chris Salter and Marcelo Wanderley (2015-07-30). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. In Proceedings of the SMC Conference. Maynooth, Ireland.
• Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Valérie Lamontagne, Ian Arawjo, Maurizio Martinucci, Chris Salter, Marcelo M. Wanderley (2015-09-25). Composition Techniques for the Ilinx Vibrotactile Garment. In Proceedings of the International Computer Music Conference. Denton, TX, USA.
• Catherine Massie-Laberge, Isabelle Cossette, Marcelo M. Wanderley (2016-07-18). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. In Proceedings of the International Conference for Music Perception and Cognition. San Francisco, USA.
• Eduardo A. L. Meneses, Marcelo M. Wanderley (2017-09-06). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. In 16th Brazilian Symposium on Computer Music (pp. 168--169). São Paulo - Brazil.
• Ian Hattwick, Ivan Franco, Marcelo M. Wanderley (2017-05-18). The Vibropixels: A Scalable Wireless Tactile Display System. In Proc. of the International Conference on Human-Computer Interaction (HCII). Vancouver, BC, Canada.
• Ivan Franco, Marcelo M. Wanderley (2017-09-16). Prynth: A Framework for Self-contained Digital Music Instruments. In Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad (Eds.). Springer.São Paulo, Brazil.
• Joseph Malloch, Marcelo M. Wanderley (2007-06-07). The T-Stick : From Musical Interface to Musical Instrument. In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007) (pp. 66--69). New York City, NY, USA.
• John Sullivan, Marcelo M. Wanderley (2018-07-05). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. In Proceedings of the Sound and Music Computing Conference. Limassol, Cyprus.
• John Sullivan, Alexandra Tibbitts, Brice Gatinet, Marcelo M. Wanderley (2018-06-28). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. In Proceedings of the 5th International Conference on Movement and Computing (MOCO'18). Genoa, Italy.
• Eduardo A. L. Meneses, Sérgio Freire, Marcelo M. Wanderley (2018-06-03). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018) (pp. 222–227). Blacksburg, VA, USA.
• Catherine Massie-Laberge, Isabelle Cossette, Marcelo M. Wanderley (2019-01-10). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. In Frontiers in Psychology.
• Catherine Massie-Laberge, Isabelle Cossette, Marcelo M. Wanderley (2018-06-28). Kinetic Analysis of Hip Motion During Piano Playing. In Proceedings of 5th International Conference on Movement Computing (MOCO'18). Genoa, Italy.
• (2019-02-15). New Directions in Music and Human-Computer Interaction. . Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley (Eds.). Springer International Publishing.Cham, Switzerland.
• (2014-09-01). Advances in the Design of Mapping for Computer Music. In Computer Music Journal. Marcelo M. Wanderley, Joseph Malloch (Eds.). Computer Music Journal, MIT Press.
• Baptiste Caramiaux, Frederic Bevilacqua, Marcelo M. Wanderley, Caroline Palmer (2018-03-15). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. In PLOS ONE.
• Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2018-01-15). Generalized Multi-Instance Control Mapping for Interactive Media Systems. In IEEE Multimedia (pp. 39-50).
• Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, Geber Ramalho (2017-01-15). A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. In IEEE Multimedia (pp. 63–71).
• Esteban Maestre, Panos Papiotis, Marco Marchini, Quim Llimona, Oscar Mayor, Alfonso Perez, Marcelo M. Wanderley (2017-01-15). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. In IEEE Multimedia (pp. 24–34).
• Marlon Schumacher, Marcelo M. Wanderley (2016-12-22). Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping . Published online on December 22, 2016. DOI:. In Journal of New Music Research. Taylor & Francis.
• Arum Hollinger, Marcelo M. Wanderley (2015-11-15). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. In IEEE Sensors Journal (pp. 6125-6134).
• Alfonso Perez Carrillo, Marcelo M. Wanderley (2015-03-15). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. In IEEE Transactions on Audio, Speech and Language Processing (pp. 932-940).
• Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2015-08-15). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. In Multimedia Tools and Applications (pp. 5683-5707).
• Eduardo Meneses, Johnty Wang, Sergio Freire, Marcelo M. Wanderley (2019-06-03). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019). Porto Alegre, Brazil.
• Johnty Wang, Axel Mulder, Marcelo M. Wanderley (2019-06-03). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019). Porto Alegre, Brazil.
• John Sullivan, Marcelo M. Wanderley (2019-10-14). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. In 14th International Symposium on Computer Music Multidisciplinary Research. Marseille, France.
• Johnty Wang, Jospeh Malloch, Stephen Sinclair, Jonathan Wilansky, Aaron Krajeski, and Marcelo M. Wanderley (2019-10-14). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. In Proceedings of the 14th International Symposium on Computer Music Multidisciplinary Research (CMMR). Marseille, France.
• Ajin Tom, Harish Venkatesan, Ivan Franco, Marcelo M. Wanderley (2019-07-03). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019). Porto Alegre, Brazil.
• Marcello Giordano, John Sullivan, Marcelo M. Wanderley (2018-01-01). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Stefano Papetti, Charalampos Saitis (Eds.). Springer, Cham.Cham, Switzerland.
• John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo M. Wanderley (2020-07-21). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, UK.
• Johnty Wang, Eduardo Meneses, Marcelo M. Wanderley (2020-07-21). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, U.K..
• Filipe Calegario, João Tragtenberg, Johnty Wang, Ivan Franco, Eduardo A. L. Meneses, Marcelo M. Wanderley (2020-06-27). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. In Proc. of the International Conference on Human-Computer Interaction (HCII) (pp. 14). Copenhagen, Denmark.
• Eduardo A. L. Meneses, Takuto Fukuda, Marcelo M. Wanderley (2020-06-27). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. In Proc. of the International Conference on Human-Computer Interaction (HCII). Copenhagen, Denmark.
• Mathias Kirkegaard, Mathias Bredholt, Christian Frisson, Marcelo M. Wanderley (2020-07-21). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020) (pp. 6). Birmingham, UK.
• Mathias Kirkegaard, Mathias Bredholt, and Marcelo M. Wanderley (2020-06-27). An intermediate mapping layer for interactive sequencing. In Proc. of the International Conference on Human-Computer Interaction (HCII) (pp. 10). Copenhagen, Denmark.
• Fabio Morreale, Astrid Bin, Andrew McPherson, Paul Stapleton, Marcelo M. Wanderley (2020-07-21). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, UK.
• Marcelo M. Wanderley, Mathias Bredholt, Christian Frisson (2020-06-12). A Visualization Tool for the CIRMMT Distinguished Lecture Series. In Proc. of the International Conference on Human-Computer Interaction (HCII). Copenhagen, Denmark.
• Ajin Tom, Ankita Singh, Martin Daigle, Fabrice Marandola, Marcelo M. Wanderley (2020-06-18). Haptic Tutor – A haptics-based music education tool for beginners. In International Workshop on Haptic and Audio Interaction Design (HAID). Montreal, Canada.
• Filipe Calegario, Marcelo Wanderley, João Tragtenberg, Johnty Wang, John Sullivan, Eduardo Meneses, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, Josh Rohs (2020-07-21). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020) (pp. 6). Birmingham, UK.
• Travis West, Baptiste Caramiaux, Marcelo M. Wanderley (2020-07-21). Making Mappings: Examining the Design Process. In Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020). Birmingham, UK.
• Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley (2020-07-26). Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. In Journal on Multimodal Interfaces (pp. 285-301).
• Thomas Pietrzak, Marcelo M. Wanderley (2020-08-07). Haptic and audio interaction design. In Journal on Multimodal Interfaces (pp. 231-233).
• Joseph Malloch, Jérémie Garcia, Marcelo M. Wanderley, Wendy E. Mackay, Michel Beaudouin-Lafon, Stéphane Huot (2019-02-07). A Design Workbench for Interactive Music Systems. In New Directions in Music and Human-Computer Interaction. (pp. 23-40). Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley (Eds.). Springer, Cham.
• Felipe Verdugo, Suzuka Kokubu, Johnty Wang, Marcelo M. Wanderley (2020-07-16). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. In Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID). Montreal, Canada.
• Mark Zadel, Paul C. Kosek, Marcelo M. Wanderley (2004-06-30). An Inertial, Pliable Interface. In An Inertial, Pliable Interface.
• Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, Marcelo M. Wanderley (2020-10-08). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. In Sensors.
• Marcelo M. Wanderley, B. Vines (2006-01-01). Origins and Function of Clarinettists’ Ancillary Gestures. In Music and Gesture: New Perspectives on Theory and Contemporary Practice. A. Gritten, E. King (Eds.).
• M. M. Wanderley, B. Vines, N. Middleton, C. McKay, W. Hatch (2005-01-01). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .
• B. Vines, M. M. Wanderley, C. Krumhansl, R. Nuzzo, D. Levitin (2004-01-01). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. . A. Camurri, G. Volpe (Eds.). Genova, Italy.
• M. M. Wanderley (2002-01-01). Quantitative Analysis of Non-obvious Performer Gestures. In Gesture and Sign Language in Human-Computer Interaction (pp. 241-253). I. Wachsmuth and T. Sowa (Eds.).
• M. M. Wanderley (1999-01-01). Non-Obvious Performer Gestures in Instrumental Music. In Gesture-Based Communication in Human-Computer Interaction (pp. 37-48). A. Braffort, R. Gherbi, S. Gibet, J. Richardson, D. Teil (Eds.).
• C. Cadoz, M. M. Wanderley (2000-01-01). Gesture-Music. In Trends in Gestural Control of Music. M. M. Wanderley and M. Battier (Eds.). Paris, Fr.
• M. M. Wanderley, P. Depalle (2004-01-01). Gestural Control of Sound Synthesis. In Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication (pp. 632-644).
• M. M. Wanderley, P. Depalle (2001-12-01). Gesturally-Controlled Digital Audio Effects. In Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx2001) (pp. 165-169). Limerick, Ireland.
• L. Campbell, M.-J. Chagnon, M. M. Wanderley (2005-01-01). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. In Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.
• (2000-01-06). Trends in Gestural Control of Music. . Marcelo M. Wanderley, Marc Battier (Eds.). Ircam, Paris, France.Ircam, Paris, France.
• Doug Van Nort, Marcelo M. Wanderley (2006-07-02). Exploring The Effect of Mapping Trajectories on Musical Performance. In Proc. of the 2006 Sound and Music Computing Conference (SMC2006). Marseille, France.
• Doug Van Nort, Marcelo M. Wanderley (2007-06-07). Control Strategies for Navigation of Complex Sonic Spaces. In Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007) (pp. 379–383). New York City, NY, USA.
• Doug Van Nort, Marcelo M. Wanderley (2006-01-01). The LoM Mapping Toolbox for Max/MSP/Jitter. In Proceedings of the 2006 International Computer Music Conference (ICMC2006). New Orleans, USA.
• Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2007-07-02). From controller to sound: Tools for collaborative development of digital musical instruments. In Proceedings of the 2007 International Computer Music Conference (ICMC2007) (pp. 65–72). Copenhagen, Denmark.
• Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2008-07-03). A network-based framework for collaborative development and performance of digital musical instruments. In CMMR 2007, - Proceedings of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969 (pp. 401–425). R. Kronland-Martinet, S. Ystad, K. Jensen (Eds.). Springer Verlag.Berlin, Germany.
• Marcelo M. Wanderley (2017-01-01). Expert Commentary: Perry Cook’s Principles Still Going Strong. In A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13). Alexander Refsum Jensenius, Michael J. Lyons (Eds.).
• Carolina Brum Medeiros, Marcelo M. Wanderley (2014-07-25). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. In Sensors Journal (pp. 13556-13591).
• Carolina Brum Medeiros, Marcelo M. Wanderley (2011-07-01). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. In Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011).
• M. M. Wanderley, N. Middleton, C. McKay, W. Hatch, B. W. Vines (2004-01-01). Expressive Movements of Clarinetists: Quantification and Musical Considerations. In (PDF document, 1.6 Mbytes) Copyright: McGill University.
• M. M. Wanderley, P. Depalle, O. Warusfel (1999-01-01). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. In Proceedings of the international Computer Music Conference (pp. 418-421).
• Joseph Malloch, Marcelo M. Wanderley (2017-05-01). Embodied Cognition and Digital Musical Instruments: Design and Performance. In The Routledge Companion to Embodied Music Interaction (pp. 438–447). M. Lesaffre, M. Leman, P.-J. Maes (Eds.).
• Alexander P. Demos, Daniel J. Carter, Marcelo M. Wanderley, Caroline Palmer (2017-02-17). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. In Frontiers in Psychology, section Cognitive Science.
• Alex Nieva, Johnty Wang, Joseph Malloch, Marcelo M. Wanderley (2018-06-03). The T-Stick: Maintaining a 12 year-old digital musical instrument. In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018) (pp. 198–199). Blacksburg, VA, USA.
• Johnty Wang, Joseph Malloch, Stéphane Huot, Fanny Chevalier, Marcelo M. Wanderley (2017-07-05). Versioning and Annotation Support for Collaborative Mapping Design. In Sound and Music Computing.
• Sandeep Bhagwati, Marcelo M. Wanderley, John Sullivan, Marcello Giordano (2016-09-01). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. In Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.
• Pieter-Jan Maes, Caroline Palmer, Marcelo M. Wanderley (2015-01-01). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. In Experimental Brain Research (pp. 263–273). Springer Berlin Heidelberg.
• Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil (2014-06-02). In-House Development of Paper Force Sensors for Musical Applications. In Computer Music Journal (pp. 22-35). MIT Press.
• Steven R. Livingstone, William F. Thompson, Marcelo M. Wanderley, Caroline Palmer. (2014-11-25). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. In Quarterly Journal of Experimental Psychology (pp. 952-970). Taylor & Francis.
• Pieter-Jan Maes, Marc Leman, Caroline Palmer, Marcelo M. Wanderley. (2014-01-03). Action-based Effect on Music Perception. In Frontiers in Psychology (pp. 1–14). Frontiers Media S.A..
• Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle (2014-09-15). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. In Computer Music Journal (pp. 6-22). MIT Press.
• Rodrigo A. Seger, Marcelo M. Wanderley, Alessandro L. Koerich. (2014-03-01). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. In Expert Systems with Applications (pp. 2098-2106). Elsevier.
• Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward (2014-08-04). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. In IEEE Transactions on Haptics (pp. 533–544). IEEE.
• Euler C. F. Teixeira, Mauricio A. Loureiro, Marcelo M. Wanderley, Hani C. Yehia (2014-07-03). Motion Analysis of Clarinet Performers. In Journal of New Music Research (pp. 97-111). Taylor & Francis.
• R. Michael Winters, Marcelo M. Wanderley (2014-04-01). Sonification of Emotion: Strategies and Results from the Intersection with Music. In Organised Sound (pp. 60–69). Cambridge University Press.
• Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley, Laurent Daudet (2013-11-01). Gestural Strategies in the Harp Performance. In Acta Acustica united with Acustica (pp. 986-996). Hirzel Verlag.
• Joseph Thibodeau, Marcelo M. Wanderley (2013-09-26). Trumpet Augmentation and Technological Symbiosis. In Computer Music Journal (pp. 12-25). MIT Press.
• Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley (2012-04-01). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. In The Visual Computer Journal (pp. 357–370). Springer.
• Baptiste Caramiaux, Marcelo M. Wanderley, Frédéric Bevilacqua (2012-04-16). Segmenting and Parsing Instrumentalist’s Gestures. In Journal of New Music Research (pp. 13-29). Routledge.
• R. Michael Winters, Alexandre Savard, Vincent Verfaille, Marcelo M. Wanderley (2012-12-01). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. In The International Journal of Multimedia & Its Applications (IJMA) (pp. 13–26). AIRCC Publishing Corporation.
• Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola (2011-09-02). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. In Computer Music Journal (pp. 57–72). MIT Press.
• Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca, Daniel J. Levitin. (2011-02-01). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. In Cognition (pp. 157-170). Elsevier.
• Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet (2010-07-01). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. In Acta Acustica united with Acustica (pp. 668–677). S. Hirzel Verlag.
• Sean Ferguson, Marcelo M. Wanderley (2010-09-22). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. In Journal of Interdisciplinary Music Studies (pp. 17-35).
• Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley, Laurent Daudet (2012-01-01). Experimental study of the musician / instrument interaction in the case of the concert harp. In Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.
• Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley. (2010-01-05). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. In Journal of the Acoustical Society of America (pp. 534–541). Acoustical Society of America.
• Mark T. Marshall, Max Hartshorn, Marcelo M. Wanderley, Daniel J. Levitin (2009-12-17). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. In Journal of New Music Research (pp. 241–253). Routledge.
• Manfred Nusseck, Marcelo M. Wanderley (2009-04-01). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. In Music Perception: An Interdisciplinary Journal (pp. 335–353). University of California Press.
• Stephen Sinclair, Marcelo M. Wanderley (2009-01-01). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. In Interacting with Computers (pp. 54–63). Elsevier.
• Vincent Verfaille, Arnaud Rebillout, Philippe Guillemain, Marcelo M. Wanderley (2008-05-09). Refining mapping strategies to improve the sound quality of physically controlled synthesis. In Journal of the Acoustical Society of America. Acoustical Society of America.
• Vincent Verfaille, Marcelo M. Wanderley (2006-05-04). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. In Journal of the Acoustical Society of America. Acoustical Society of America.
• Vincent Verfaille, Marcelo M. Wanderley and Philippe Depalle (2006-01-01). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. In Journal of New Music Research (pp. 71-93). Routledge.
• Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Daniel J. Levitin (2006-08-01). Cross-modal interactions in the perception of musical performance. In Cognition (pp. 80–113). Elsevier.
• Andy Hunt, Marcelo M. Wanderley, Matthew Paradis (2003-01-01). The Importance of Parameter Mapping in Electronic Instrument Design. In Journal of New Music Research (pp. 429–440). Routledge.
• Andy Hunt, Marcelo M. Wanderley (2002-08-01). Mapping Performance Parameters to Synthesis Engines. In Organised Sound (pp. 97–108). Cambridge University Press.
• Marcelo M. Wanderley, Nicola Orio (2002-09-01). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. In Computer Music Journal (pp. 62–76). MIT Press.
• Philippe Depalle, Stéphan Tassart, Marcelo M. Wanderley (1997-01-01). Instruments Virtuels. In Resonance (pp. 5-8).
• Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino (2021-04-11). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. In Multimodal Technol. Interact.. Basel, Switzerland.
• Amandine Pras, Mailis G. Rodrigues, Victoria Grupp, Marcelo M. Wanderley (2021-04-12). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. In Frontiers in Psychology.
• Christian Frisson, Mathias Bredholt, Joseph Malloch, Marcelo M. Wanderley (2021-06-15). MapLooper: Live-looping of distributed gesture-to-sound mappings. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Matthew Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley (2021-06-15). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph Malloch, Vincent Cusson, Marcelo M. Wanderley (2021-06-15). Documentation and Replicability in the NIME Community. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021).. Shanghai, China.
• P. J. Charles Reimer, Marcelo M. Wanderley (2021-06-15). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• R. Michael Winters, Marcelo M. Wanderley (2012-06-18). New Directions for the Sonification of Expressive Movement in Music Performance. In International Conference on Auditory Display. Atlanta, Georgia, USA.
• Ian Hattwick, Joseph Malloch, Marcelo M. Wanderley (2014-06-30). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014) (pp. 443–448). London, UK.
• Travis West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley (2021-06-14). Making Mappings: Design Criteria for Live Performance. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Takuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley (2021-06-14). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Juliette Regimbal, Marcelo M. Wanderley (2021-06-14). Interpolating Audio and Haptic Control Spaces. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Geise Santos, Johnty Wang, Carolina Medeiros, Marcelo M. Wanderley, Tiago Tavares, Anderson Rocha (2021-06-14). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley (2021-06-14). A Visualization Tool to Explore Interactive Sound Installations. In Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021). Shanghai, China.
• Leandro Costalonga, Marcelo Pimenta, Marcelo M. Wanderley (2021-06-25). Can Ubimus Technologies Affect our Musicality?. In PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.
• Marcelo M. Wanderley, Travis West, Josh Rohs, Eduardo A. L. Meneses, Christian Frisson (2021-09-01). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. In Audio Mostly 2021 Conference. Trento, Italy.
• Leandro Costalonga, Daniel Hora, Marcelo Pimenta, Marcelo M. Wanderley (2021-10-13). The Ragpicking DMI Design: The Case for Green Computer Music. In 10th International Conference on Digital and Interactive Arts (ARTECH 2021). Aveiro, Portugal.
• Anésio Azevedo Costa Neto, Nivalda Assunção de Araújo, Marcelo M. Wanderley (2021-10-13). Projeto: Cerrado: Unfolding Spaces. In 10th International Conference on Digital and Interactive Arts (ARTECH 2021). Aveiro, Portugal.
• Elliot Sinyor, Marcelo M. Wanderley (2005-05-01). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005) (pp. 42-45). Vancouver, Canada.
• Joseph Malloch, David Birnbaum, Elliot Sinyor, Marcelo M. Wanderley (2006-06-01). A New Conceptual Framework for Digital Musical Instruments. In Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06) (pp. 49–52). Montreal, Qc, Canada.
• Gabriel Vigliensoni, Marcelo M. Wanderley (2010-06-01). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. In Proceedings of the 2010 international Computer Music Conference (ICMC2010) (pp. 100-103). New York, NY, USA.
• Benjamin Lavastre, Marcelo M. Wanderley (2021-11-15). Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music. In Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research (CMMR). Tokyo, Japan.
• Luca Turchet, Travis West, Marcelo M. Wanderley (2020-03-24). Touching the Audience: Musical Haptic Wearables for augmented and participatory live music performances. In Personal and Ubiquitous Computing. Springer.
• Alexander P. Demos, Hamed Layeghi, Marcelo M. Wanderley, Caroline Palmer (2019-10-01). Staying together: A bidirectional delay-coupled approach to joint action. In Cognitive Science.
• Mark Zadel, Stephen Sinclair, Marcelo M. Wanderley (2009-01-01). Haptic Feedback for Different Strokes Using DIMPLE. In Proceedings of the 2009 International Computer Music Conference (ICMC2009) (pp. 291–294). Montreal, Qc, Canada.
• Stephen Sinclair, Marcelo M. Wanderley (2007-11-22). Extending DIMPLE: a rigid body haptic simulator for interactive control of sound. In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE 2007) (pp. 263–266). Grenoble, France.
• Stephen Sinclair, Marcelo M. Wanderley (2007-01-01). Using PureData to control a haptically-enabled virtual environment. In Proceedings of the PureData Convention '07. Montreal, Qc, Canada.
• Stephen Sinclair, Marcelo M. Wanderley (2007-01-01). Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems. In Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME 2007) (pp. 209-212). New York City, NY, USA.
• John Sullivan, Catherine Guastavino, Marcelo M. Wanderley (2021-12-31). Surveying Digital Musical Instrument Use in Active Practice. In Journal of New Music Research (pp. 469 - 486).
• Avrum Hollinger, Marcelo M. Wanderley (2012-06-01). Optoelectronic Acquisition and Control Board for Musical Applications. In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012). Ann Arbor, MI, USA.
• Avrum Hollinger, Marcelo M. Wanderley (2013-06-01). MRI-Compatible Optically-Sensed Cello. In IEEE Sensors Conference. IEEE.
• Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley (2007-06-01). fMRI-Compatible Electronic Controllers. In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007). New York City, NY, USA.
• Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux, Fabrice Marandola (2014-06-30). Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014) (pp. 597-600). London, UK.
• Ian Hattwick, Marcelo M. Wanderley (2015-06-01). Interactive Lighting in the Pearl: Considerations and Implementation. In Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015) (pp. 201-204). Baton Rouge, LA, USA.
• Vanessa Yaremchuk, Carolina B. Medeiros, Marcelo M. Wanderley (2019-06-01). Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). In Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019) (pp. 150-155). Porto Alegre, Brazil.
• Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley (2018-06-01). NIME Identity from the Performer’s Perspective. In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018) (pp. 168–173). Blacksburg, VA, USA.
• ian Hattwick, Marcelo M. Wanderley (2017-06-01). Design of Hardware Systems for Professional Artistic Applications. In Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017) (pp. 436–441). Copenhagen, Denmark.
• Clayton Rosa Mamedes, Mailis G. Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira Lopes (2014-06-01). Composing for DMIs – Entoa, music for Intonaspacio. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014) (pp. 509-512). London, UK.
• Gabriel Vigliensoni, Marcelo M. Wanderley (2012-06-01). A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012). Ann Arbor, MI, USA.
• Marcello Giordano, Stephen Sinclair, Marcelo M. Wanderley (2012-06-01). Bowing a Vibration-enhanced Force Feedback Device. In Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012). Ann Arbor, MI, USA.
• MArk T. Marshall, Marcelo M. Wanderley (2011-06-01). Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. In Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME 2011) (pp. 399–404). Oslo, Norway.
• Alfonso Perez Carrillo, Josep-Lluis Arcos, Marcelo M. Wanderley (2015-06-01). Estimation of Guitar Fingering and Plucking Controls based on Multimodal Analysis of Motion, Audio and Musical Score. In Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR).
• Mickaël Tits, Joelle Tilmanne, Nicolas D’Alessandro, Marcelo M. Wanderley (2015-06-01). Feature Extraction and Expertise Analysis of Pianists’ Motion-Captured Finger Gestures. In Proceedings of the International Computer Music Conference (ICMC). Denton, TX, USA.
• Deborah Egloff, Marcelo M. Wanderley, Ilja Frissen (2018-06-01). Haptic Display of Melodic Intervals for Musical Applications. In Proceedings of the 2018 IEEE Haptics Symposium. San Francisco, CA, USA.
• Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot (2018-10-01). ZenStates: Easy-to-Understand yet Expressive Specifications for Creative Interactive Environments. In Proceedings of IEEE Symposium on Visual Languages and Human-Centric Computing. IEEE.Lisbon, Portugal.
• Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley (2019-06-01). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. In Proceedings of the 2019 International Workshop of Haptic and Audio Interaction Design (HAID 2019). Lille, France.
• Thor Kell, Marcelo M. Wanderley (2014-06-01). A High-Level Review of Mappings in Musical iOS Applications. In Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC). Athens, Greece.
• Benjamin Bacon, Marcelo M. Wanderley, Fabrice Marandola (2014-06-01). Handedness in Percussion Sight-Reading. In Proceedings of 1st International Conference on Movement Computing (MOCO'14) (pp. 112-117). Paris, France.
• Brady Boettcher, John Sullivan, Marcelo M. Wanderley (2022-06-28). Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. In New Interfaces for Musical Expression (NIME) 2022.
• Brady Boettcher, Joseph Malloch, Johnty Wang, Marcelo M. Wanderley (2022-06-28). Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. In New Interfaces for Musical Expression (NIME) 2022.
• Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley (2009-09-01). Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis. .
• Alexandre Bouënard, Marcelo  M. Wanderley, Sylvie Gibet (2009-01-01). Analysis of Timpani Preparatory Gesture Parameterization. In International Gesture Workshop.
• Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickael Begon, Sylvie Gibet, Marcelo M. Wanderley (2022-06-16). Feeling the Effort of Classical Musicians – A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. In Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME 2022).
• Benjamin Lavastre, Marcelo M. Wanderley (2023-06-22). Interaction Strategies in Composition for Karlax and Acoustic Instruments. In Music in the AI Era. 15th International Symposium, CMMR 2021, November 15–19, 2021 Revised Selected Papers, LNCS 13770 (pp. 163-179). Mitsuko Aramaki, Keiji Hirata, Tetsuro Kitahara, Richard Kronland-Martinet and Sølvi Ystad (Eds.). Springer Nature.Swtizerland.
• Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley (2022-07-01). ForceHost: An Open-source Toolchain for Generating Firmware Embedding the Authoring and Rendering of Audio and Force-feedback Haptics. In Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME2022). Auckland, NZ.
• Linnea Kirby, Paul Buser, Marcelo M. Wanderley (2022-07-01). Introducing the t-Tree: A t-Stick-Based DMI and Hub for Performance and Installation. In Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME2022). Auckland, NZ.
• Brady Boettcher, Eduardo Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph Malloch (2023-06-01). Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Eduardo Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley (2023-06-01). The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Paul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley (2023-06-01). Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Takuto Fukuda, Marcelo M. Wanderley (2023-06-01). T-Patch: a software application for T-Stick Digital Musical Instruments Mexico City, MX. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier (2023-06-01). eTu{d,b}e: Case studies in playing with musical agents. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Albert-Ngabo Niyonsenga, Marcelo M. Wanderley (2023-06-01). Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. In Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023). Mexico City, MX.
• Christian Frisson, Marcelo M. Wanderley (2023-07-10). Challenges and Opportunities of Force Feedback in Music. In Arts. Justin Paterson and Marcelo M. Wanderley (Eds.). MDPI.
• (2023-07-10). Feeling the Future—Haptic Audio. . Justin Paterson, Marcelo M. Wanderley (Eds.). Arts - MDPI.
• Justin Paterson, Marcelo M. Wanderley (2023-07-07). Feeling the Future—Haptic Audio: Editorial. In Arts. MDPI.
• Travis J. West, Alexandra Bachmayer, Sandeep Bhagwati, Joanna Berzowska, Marcelo M. Wanderley (2019-06-01). The Design of the Body:Suit:Score, a Full-Body Vibrotactile Musical Score. In Proc. of the International Conference on Human-Computer Interaction (HCII). Orlando, FL, USA.
• Benjamin Bacon, Stuart Jackson, Ian Marci, Fabrice Marandola, Marcelo M. Wanderley (2023-09-14). Sticking Choices in Timpani Sight-Reading Performance. In Front. Psychol. Sec. Performance Science.
• Ziyue Piao, Marcelo M. Wanderley, Felipe Verdugo (2023-11-29). MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback. In Proceedings of the 2023 International Conference on ArtsIT, Interactivity and Game Creation (ArtsIT 2023).
• Erivan Gonçalves Duarte, Isabelle Cossette, Marcelo M. Wanderley (2023-10-24). Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. In Frontiers in Computer Science. Emma M. Frid (Eds.).
• Albert-Ngabo Niyonsenga, Marcelo M. Wanderley (2024-09-04). Take Five: Improving Maintainability and Reliability of the T-Stick. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Travis J. West, Stephane Huot, Marcelo M. Wanderley (2024-09-02). Sygaldry: DMI Components First and Foremost. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Oren Ronen, Marcelo M. Wanderley (2024-09-02). Sonic Touch: A Haptic Toolkit for Fast Vibrotactile Prototyping. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Maxwell Gentili-Morin, Marcelo M. Wanderley (2024-09-02). R-FF: A Single Reed Haptic Library for the TorqueTuner. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Gaël Moriceau, Yulin Yan, Dominic Thibault, Marcelo M. Wanderley (2024-09-04). The Obstacle Course of DMI Performance: Two Case Studies with T-Stick and Karlax. In Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024). Utrecht, NL.
• Bavo Van Kerrebroeck, Marcelo M. Wanderley, Alexander P. Demos, Caroline Palmer (2024-07-15). Virtual Partners Improve Synchronization in Human-Machine Trios. In CogSci 2024 - Dynamics of Cognition. 46th Annual Meeting.. Rotterdam, NL.
• Ziyue Piao, Christian Frisson, Bavo Van Kerrebroeck, Marcelo M. Wanderley (2024-11-16). Assessing the Impact of Force Feedback in Musical Knobs on Performance and User Experience. In Actuators (pp. 15). Ali Mohammadi, Uriel Martinez-Hernandez (Eds.).
• Bavo Van Kerrebroeck, Marcelo M. Wanderley, Alexander P. Demos, Caroline Palmer (2025-02-03). Virtual Partners Improve Synchronization in Human-Machine Trios. In Cognitive Science.
• Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Marcelo M. Wanderley (2025-03-07). Behavioral Measures of Copresence in Co-located Mixed Reality. In IEEE Transactions on Visualization and Computer Graphics (pp. 1-11). IEEE.
• Matteo Tomasetti, Bavo van Kerrebroeck, Marcelo M. Wanderley, Domenico Stefani, Luca Turchet (2025-04-04). SonoSpatia: a Virtual Reality Interface for the Creation of 3D Spatial Audio Trajectories. In Journal of the Audio Engineering Society. Audio Engineering Society.
• Fausto Borém, Marcelo M. Wanderley (2025-05-26). The “FIGHT” of D. Andrew Stewart and the T-stick in the Improvised Choreography to “Everyone to the Power of One”. In GT12 - Recognizing bodies, technologies and companion species (pp. 16). Belo Horizonte, Brazil.
• Ninad Puranik, Travis West, Marcelo Wanderley, Gary Scavone (2025-04-11). Thoughts on Mapping and Interface Design of a Keyboard to Perform Continuous Pitch Ornamentations in Hindustani Music. In Workshop on Indian Music Analysis and Generative Applications (WIMAGA), IEEE ICASSP. Hyderabad, India.
• Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Laurent Grisoni, Marcelo M. Wanderley (2025-07-04). Strategies for the Reconciliation of Artistic Intent and Technical Constraints in Mixed Reality Performances. In ACM Designing Interactive Systems (DIS) 2025 Conference (pp. 1603-1614). Madeira, Portugal.
• Valérian Fraisse, Nadine Schütz, Coralie Vincent, Marcelo M. Wanderley, Catherine Guastavin, Nicolas Misdariis (2025-05-24). Exploring Sound Installation Reactivity: Acoustic Niches in Public Space. In Proceedings of the 2025 International Symposium on Musical and Room Acoustics (ISMRA). New Orleans, USA.
• Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Marcelo Wanderley (2025-07-01). Decoupling Physical and Virtual Spaces for New Collaboration Strategies in Co-Located Mixed Reality Instruments. In Proceedings of the 2025 International Conference on New Interfaces for Musical Expression (NIME2025) (pp. 161-166). Canberra, Australia.
• Oren Ronen, Marcelo M. Wanderley (2025-10-29). Augmenting IoMusT Devices with Haptic Feedback: Design Tools and Strategies from Expert T-Stick Performers. In Procedings of the 2025 IEEE International Symposium on the Internet of Sounds. L'Aquila, Italy.
• Anésio Azevedo Costa Neto, Stéphan Schaub, Marcelo M. Wanderley (2025-11-20). Transdisciplinary Artistic Strategies in Environmental Sound Art (and the Politics of Listening) in Contemporary Latin America. In Organised Sound.
• Joseph Malloch, Marlon Schumacher, Stephen Sinclair, Marcelo M. Wanderley (2018-06-01). The Digital Orchestra Toolbox for MAX. In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018). Blacksburg, VA, USA.
• Paloma F. Monteiro, Maxwell Gentili-Morin, Giordano Gatti, João Paulo Casarotti, Jefferson F. Loss, Marcelo M. Wanderley, Regina A. T. dos Santos (2025-12-01). Practice with Diversified Repetition and Its Influence on Bimanual Synchronization in Pianists. In Proceedings to PERFORMUS’25 - 13th International Conference on Music Performance Brazilian Society on Music Performance (ABRAPEM) (pp. 17-26). ABRAPEM - Universidade de Brasília.
• Paloma F. Monteiro, Maxwell Gentili-Morin, Giordano Gatti, João Paulo Casarotti, Jefferson F. Loss, Marcelo M. Wanderley, Regina A. T. dos Santos (2025-12-01). Impacts of Diversified Repetition on Multilevel Motor Organization During Piano Performance. In Proceedings of the 35th Congress of the National Association for Music Research and Graduate Studies (ANPPOM).. ANNPOM - Universidade de Brasília.
• Bavo Van Kerrebroeck, Connor Spiech, Virginia Penhune, Marcelo M. Wanderley (2026-03-18). Cross-modal Synchrony Between Music and Visual Motion Modulates Vection, Urge to Move, and Comfort in VR. In Virtual Reality (pp. 1-10). Springer Nature.
• Ziyue Piao, Isabelle Cossette, Marcelo M. Wanderley (2026-04-13). Reconciling Kinesthetic Mismatches: A Somatic Alignment Mindset for Musical Body Transformation. In 2026 CHI Conference on Human Factors in Computing Systems Workshop (Body Transformation Experiences: A workshop on How to Elicit, Assess and Support them through Multisensory Technology) (pp. 5). Barcelona, Spain.
• Ziyue Piao, Yohei Wada, Isabelle Cossette, Marcelo M. Wanderley, Akira Maezawa (2026-06-23). Exploring Breathing-Music Coupling: Using the Breathing Mirror for Somatic Reflection in Piano Performance. In Proceedings of the 2026 International Conference on New Interfaces for Musical Expression (pp. 10). London, UK.
• Danilo Pesevic, Isaac Ng, Maxwell Gentili-Morin, Marcelo M. Wanderley, Christian Frisson (2026-07-09). Experiencing different 1 Degree-of-Freedom rotary actuators across iterations of TorqueTuners in musical applications. In Proceedings of the 2026 EuroHaptics Conference (EuroHaptics '26) (pp. 3). Siena, Italy.
• Richard Yanaky, P. J. C. Reimer, Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino (2024-08-29). Sound-Based Interaction. In Interaction Techniques and Technologies in Human-Computer Interaction. C. Stephanidis and G. Salvendy (Eds.). CRC Press.
• Ziyue Piao, Katsunori Suzuki, Naoto Kojima, Yohei Wada, Isabelle Cossette, Marcelo M. Wanderley, Akira Maezawa (2026-10-11). GummiSoma: Co-Designing a Carbon-Nanotube Strain-Sensing Garment for Respiratory Tracking in Vocal Performance. In ACM International Joint Conference on Pervasive and Ubiquitous Computing (UbiComp Companion ’26) (pp. 5). Shanghai, China.
• Anesio Azevedo Costa Neto, Stéphan Olivier Schaub, Marcelo M. Wanderley (2026-03-24). Transdisciplinary Artistic Strategies in Environmental Sound Art and the Politics of Listening in Contemporary Latin America. In Organised Sound (pp. 10).

Contacts:

• Email: marcelo.wanderley@mcgill.ca